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The link between Adams and photographers who surveyed the Western landscape more than a century earlier--in particular Timothy OSullivan--is drawn out in this re-edited and substantially enlarged edition of the classic book.Because I had lost my way in the suburbs, I decided to try to rediscover some of the landforms that had impressed our forebears, remembers Robert Adams.
A New York Times article about the photographer published in 1989 immediately comprehended the stakes of Adams project: Robert Adams pictures are not designed to be overtly political, but like any deeply felt images they are capable of reorganizing the way we perceive the world.
With Perfect Places, Perfect Company, Adams shows us what we stand to lose.
Ultimately it was announced that the fire was burning outside the plant, but Adams decided to try to picture what stood to be lost in a nuclear catastrophe.
He photographed in Denver and its suburbs; the individuals shown were within hazardous proximity to the Rocky Flats Plant.
Humans had left their marks almost casually, with the assurance of absolute triumph.
Adams recorded these intrusions with neither judgment nor irony; the land he shows has simply been changed, reduced, made ordinary.The black-and-white photographs include poignant images of massive tree stumps on the beacha product of the cutting of first and early second growthas well as shimmering stretches of coastline protected for endangered birds previously thought to have abandoned northern Oregon.The subject of Robert Adams (born 1937) latest book is a little-visited forest reserve near the photographer's home in Oregon.The new Steidl edition of Our Lives and Our Children presents an expanded sequence that retains the potent compactness of the first edition (out of print for nearly three decades).A major new work, Tenancy is comprised of 42 photographs by Robert Adams (born 1937) made in Nehalem Bay State Park, Oregon, between 20, with short texts by the artist.Robert Adams: Perfect Places, Perfect Company is a two-volume reworking of a series of photographs that Robert Adams (born 1937) made in the mid-1980s at Colorados Pawnee National Grassland.First published in 1988 under the title Perfect Times, Perfect Places, these photographs powerfully convey the deep sensory pleasure of walking in vast, open spaces.The books theme of tenancy expresses the idea of temporary possession of what belongs to anotherspecifically, the natural environment.Adams recent photographs of the landscape reference the current and imminent threats of clearcutting, environmental degradation and natural disasters along the Northwestern coast of the US.These images, made between 20, constitute a lyrical meditation on walking and the natural world. A longstanding classic of photobook publishing, The New West is a photographic essay about what came to fill itfreeways, tract homes, low-rise business buildings and signs.In five sequences of pictures taken along the front wall of the Colorado Rocky Mountains, Robert Adams has documented a representative sampling of the whole suburban Southwest. At first they shock; normally we try to forget the commercial squalor they depict.