Lindy Chamberlain (right) as the second inquest views evidence from the Chamberlains’ car in Alice Springs, December, 1981.
An opera of her story, Moya Henderson’s Lindy, was produced in 2002 but has not been staged since.
And, of course there are dangers in nature also, as the ending shows.
Having a national identity is like having an old insurance policy.
In the three decades since then, contemporary operas have tackled an eclectic range of topics, from book adaptations, including Tim Winton’s Cloudstreet and The Riders, to the Lindy Chamberlain case and the murder of Maria Korp by her husband in Midnight Son.
Bliss Peter Carey Essay
This varied subject matter has demanded an equally eclectic musical idiom.
-Novelist William Mc Ilvaney In 1986, the Adelaide Festival staged an operatic adaptation of Nobel Prize-winning writer Patrick White’s 1957 novel Voss, a pivotal work in the Australian literary canon.
The opera, with music by a leading figure of the classical music avant-garde, Richard Meale, and libretto by acclaimed novelist and poet, David Malouf, was conceived in the period leading up to the Bicentennial celebrations in 1988. The 1980s saw increased questioning of the notion of Australian identity as well as an emergence of a focused contestation of Australian history that later morphed into the “History Wars”.
She turns out to be an alternative society person earning a bit of money for her north coast community.
Naturally Harry falls deeply in love, but their romance is rudely interrupted by Harry being carted off to a mental hospital (at whose behest is not clear).