Critical Essays Richard Rodriguez

Critical Essays Richard Rodriguez-5
Latin connected me with the Church universal, and also with generations long dead.Colloquial English by contract “only” connected me with the living.

Latin connected me with the Church universal, and also with generations long dead.Colloquial English by contract “only” connected me with the living.

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A large part of the appeal of synagogue has to do with Hebrew, the language I was taught in my Jewish middle school, and my nostalgia for its sounds.

When I’m in synagogue I feel as if I’m part of something huge, something that predates me, and will continue long after I die.

The only experience I would compare with what you are saying is my experience as a schoolboy and an altar boy with Latin.

The Latin mass was the great joy of my young life, not newfound American English.

Because I learned this private language, I’m included in something that’s larger than the sum of the individuals.

What are your thoughts on language and inclusion, and the functions of public and private language? The value and power of an exclusive private language that is also public is so interesting to me.

For instance the first few pages of your essay “Late Victorians” covers gay pride parades, the relationship between the geography of San Francisco and the different meanings people attach to the city, Victorian architecture in the context of the socio-economic history of San Francisco, and the beginning of the AIDS epidemic.

In the first few pages of your essay “Peter’s Avocado,” you travel from the moralistic underpinnings of vegetarianism, to hate crimes, to American history.

His work has been nominated for a Pulitzer Prize and the National Book Critics Circle Award.

Richard Rodriguez: I was an accidental writer at the start.

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