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Then it was about observation and fibers’ meditations.(And of course: patterns.) Now it’s about this—a structure forming while an idea unravels itself within me. An inner-methodical mazing through my brain, finishing on the page. And now I remember that I came up with a line in my last knitting break that I was going to write down but forgot about it.A pattern I just noticed that’s emerging in this essay: aside from my enthusiasm for using colons, the core of this essay is forming within the parentheticals.
Lyric essays give us the space to break “rules” and go with the flow of the brain on the page. ) ME: So this is what I just spent an hour knitting. BOYFRIEND: Like life: make the shit up; and even though it seems random, there’s a pattern of who we are. The way we breathe because of punctuation’s—placement—. This is the blank, the space, the breath, the pause/chance/opportunity—place—the pace we create to give the reader (to give ourselves) that space to Because here is the space where ideas connect, connect to more ideas.
Watch it Lyric essays are all about exploring the possibilities of ideas. The questions raised by the patterns established are their own answers. The lyric essay is observation and consideration and making connections where there might not have been were we not paying attention. The lyric essay plays with form, from this playing, this typing, is a type of paying—the type, the font—the upfront payoff of letting your brain do a bit of wandering and a bit of wondering.
Then when I re-started knitting, the memory of the fact of the line re-arrived because that’s how brains work. Line: The lyric essay lives, exists within the looking. Rather than a narrative arc, there’s a narrative exploration.
I take my navigation tools, equip myself for the journey’s beginning. Because the purpose of the lyric essay is in its creation.
Connections are like patterns, and so it’s not the first stitch or the last stitch we admire, but everything created in-between, the pattern they are nothing but a part of.
Everything I know about knitting I learned from the lyric essay.How the intentional blanks create a pattern in lyric essays. * About the blanks: I take another knitting break, so I can consider the blanks.(And I also break to take some pictures because visuals are fun, and this is about patterns after all, which are mostly a visual-ish kind of thing.Horror films gain credibility and add an extra element of terror when the phrase “based on true events” is put before the cold open of a family peacefully eating dinner in a lake cabin.We are more emotionally stirred when we believe that someone has gone through something, has “lived to tell”, can speak from experience.This isn’t about spinning tales or about yarn unraveling. With lyric essays, sometimes the pattern, the structure of it, comes as you write. I didn’t know how this was going to be words and yarn woven together. But as I started writing, the figuring-it-out-as-I-go started to take shape, too.I’m knitting a tank top right now, patternless: Without a pattern already written, that is.I have the general idea (halter top), the general stitches I’ve learned when knitting other stitches; but beyond that, I’m making it up as I go. The general thought—an inkling for a that will speak to an other thing, knitting and writing, for instance—and I’m letting the structure make itself up as I go.First, this essay was about the _______s and the yarn overs.The parenthesis are intended for enclosing the almighty Side Thought.But maybe that’s something lyric essays are all about: finding patterns in punctuation and form and just going with it because that’s just how the mind thinks sometimes. New life goal: knit ugly sweaters for lighter cozies!