Nora Helmer Essay

Nora Helmer Essay-59
Torvald refuses to hear her pleas, explaining that Krogstad is a liar and a hypocrite and that he committed a terrible crime: he forged someone's name.

Torvald refuses to hear her pleas, explaining that Krogstad is a liar and a hypocrite and that he committed a terrible crime: he forged someone's name.

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Krogstad, a lower-level employee at Torvald's bank, arrives and goes into the study. In contrast to his physical illness, he says that the man in the study, Krogstad, is "morally diseased." After the meeting with Krogstad, Torvald comes out of the study. The nanny returns with the children and Nora plays with them for a while until Krogstad creeps through the ajar door, into the living room, and surprises her.

Nora asks him if he can give Kristine a position at the bank and Torvald is very positive, saying that this is a fortunate moment, as a position has just become available. Krogstad tells Nora that Torvald intends to fire him at the bank and asks her to intercede with Torvald to allow him to keep his job.

Rank, a close friend of the family, who is let into the study.

Kristine has had a difficult few years, ever since her husband died leaving her with no money or children.

She refuses, and Krogstad threatens to blackmail her about the loan she took out for the trip to Italy; he knows that she obtained this loan by forging her father's signature after his death.

Krogstad leaves and when Torvald returns, Nora tries to convince him not to fire Krogstad.

She told Torvald that her father gave her the money, but in fact she managed to illegally borrow it without his knowledge because women couldn't do anything economical like signing checks without their husband.

Over the years, she has been secretly working and saving up to pay it off. Rank leaves the study and mentions that he feels wretched, though like everyone he wants to go on living.

A Doll's House (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play written by Norway's Henrik Ibsen.

It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world.

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