Ophelia In Shakespeare'S Hamlet Essay

This dispute can be reinforced either way, however I believe Hamlet was truly in love with Ophelia....[tags: Shakespeare Hamlet Ophelia Essays] - Analysis of Ophelia from Hamlet Ophelia is gentle, loving and beautiful.

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She is, above all else, an obedient daughter, therefore, she chooses to listen to and obey her father, who has warned against having any...

She is, above all else, an obedient daughter, therefore, she chooses to listen to and obey her father, who has warned against having any contact at all with Hamlet.

Another perspective is that Ophelia is merely a secondary character whose purpose is to enhance the audience's understanding of Hamlet.

Through Ophelia, Hamlet's increasingly warped view of women is revealed.

Ophelia is Laerte's sister, Polonius' daughter, and Hamlet's love interest.

In this position, she is forced to choose between a father and a brother who warn her that Hamlet's interest is merely sexual, and her own heart, which through inexperience and youth, tells her Hamlet's love was, at least once, pure.References to Hamlet's love and rejection, Polonius's death, Biblical stories and symbolic flowers-all of which I'll more fully explain later-show that Ophelia-while divided from her mind-is emotionally aware of the causes of her insanity.She is actually expressing her feelings about the treatment of her by Hamlet and Polonius and her love for them.Further, in the scenes following, Hamlet never reveals any sadness or remorse over it. In Shakespeare's Hamlet, Prince Hamlet may act like he is "mad north-northwest", but it is his lover, Ophelia, who is truly mad.3.110-1), her dialogue shows that she is clearly taken by him.Polonius sees how "green" Ophelia is and, clearly thinking only about himself and his image, tells Ophelia to stay away from Hamlet so she would not tender him a fool.There have been many theories offered-especially by psychoanalysists-concerning the cause of Ophelia's madness.Freudian theorists like Theodor Lidz attribute "A document in madness," as Laertes calls them (Shakespeare, 4.5.176).He has been betrayed by his own mother, and struggles with this throughout the play.His rage against his mother is then taken out on Ophelia, which is interpreted by many as "madness." The idea that Ophelia's character is meant to be secondary is furthered by the fact that her suicide is only spoken of, as in, it never happens on stage.