Truisms And Inflammatory Essays By Jenny Holzer

Truisms And Inflammatory Essays By Jenny Holzer-45
Holzer's art hangs in important collections around the globe including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao and the Whitney Museum of American Art.Jenny Holzer American, 1950- For Jenny Holzer (born in Gallipolis, Ohio), language is a medium.

Holzer's art hangs in important collections around the globe including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao and the Whitney Museum of American Art.Jenny Holzer American, 1950- For Jenny Holzer (born in Gallipolis, Ohio), language is a medium.

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Holzer’s upbringing was rooted in Midwestern traditionalism, an attitude from which she believes the frankness in her art derives.

“They want to get things done so they do it in the most expeditious way,” she has said of her fellow Midwesterners.

Enthralled by their ability to display text in motion, she continued using the signs as they lent her words a neutral authority that the posters could not, as posters carried with them the connotation of anarchist protests.

Since 1996, Holzer has worked with light based projections as installations, using the facades of monumental buildings as the canvas onto which she projects scrolling text.

By her own admission, she was only a decent third generation American abstract painter, as she felt that there was a more relevant way to communicate the fast-paced media culture that was on the rise in the late 70s and early 80s.

Motivated by the conviction that her work ought to include discernible content (rather than the formal content of abstraction), but feeling the genre of social realism to be increasingly of the past, Holzer began placing words in her work, often in the form of found objects such as scraps of newspaper and other clippings.Though the phrasing of these posters was original, she sought to tap into universal sentiments that would seem familiar as ideas.“I want them to be accessible,” she said, “but not so easy that you throw them away after a second or two." Holzer’s work has always been intertwined with technology, and in 1992 she began using LED signs for a project commissioned by the Public Art Fund for Times Square.As she is conscious of the museum goers slowed pace, she takes the opportunity to construct more complex interactions among her works, often juxtaposing different mediums.Holzer’s work has been presented in countless exhibitions and retrospectives across the world.Jenny Holzer is a Conceptual artist best known for her text-based public art projects.Holzer's work speaks of violence, oppression, sexuality, feminism, power, war and death.She is interested in the ability of public art to provoke a reaction and perhaps start a conversation.Not all Holzer’s work is staged outdoors, and when she does exhibit in gallery spaces, she is equally deliberate with their curation as she is when planning work publicly.Throughout the years, Holzer has employed a variety of media, from a T-shirt to a plaque to an LED sign.Starting in the 1970s with the New York City posters, and continuing through her recent light projections on landscape and architecture, she uses her art as a form of communication and commentary.

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